As I sit here, listening to Mozart and incredibly unmotivated to do much of any kind of compositional work, I feel as I am becoming more and more disenchanted with the whole mess altogether.
Perhaps this is a sign that I should go to bed and try to work again tomorrow. But before I do, I wish to complain briefly about the business of composition. I read a quote earlier today from late composer (and former head of composition at my alma mater, Oklahoma City University) Ray Luke that said "being a composer is easier than composing." I'm not sure in what context this was meant, but reading it as is, I just can't agree. The competition, festival, commission, and grant circuit can be time consuming, expensive, and incredibly frustrating. I'd much rather be fighting an army of musical ideas in my brain than have to deal with that bureaucratic mess at all.
One of the reasons I disliked the business of singing was the constant rejection. Some people get fired up as a result of rejection, become more motivated and dedicated to bettering themselves. I, on the other hand, shrivel up and dry out with each and every "thanks, but no thanks" letter I receive. 'Weak' might be one way to describe it. Alternately, 'sensitive' and 'personal' are more so how I like to think of it.
I apologize for the whining. It's just, the creating, practicing, performing, listening, and interpreting of music is the only process I really care for. When I care for it. Which is mostly ('but not always,' says the guilty voice in my head).
I am just incredibly jealous of those who do play the business side of composition so well. Teach me, oh entrepreneurial ones! Help me see the light!
Jason Seed Stringtet - In the Gallery
3 years ago